Quiana and Fandango 1.0 p 6
Front Panel
HIGH
GAIN
GAIN
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SELECT
VOLUME
BASS
MIDDLE
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MASTER
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TREBLE
MIDDLE
BASS
MASTER
REVERB
PRESENCE
FOCUS
WARM
NINJA
NOTCH
BRIGHT
BOOST
INPUTS
STANDBY
POWER
RIVERA RESEARCH & DEVELOPMENT SYLMAR, CA USA
HANDCRAFTED BY
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HIGH
GAIN
GAIN
LOW
SELECT
VOLUME
BASS
MIDDLE
TREBLE
MASTER
VOLUME
TREBLE
MIDDLE
BASS
MASTER
REVERB
PRESENCE
FOCUS
WARM
NINJA
NOTCH
BRIGHT
BOOST
INPUTS
STANDBY
POWER
RIVERA RESEARCH & DEVELOPMENT SYLMAR, CA USA
HANDCRAFTED BY
PULL
SCOOP
PULL
PULL
PULL PULL
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High Gain input
This is a high-sensitivity input. If your guitar has hot pickups, then plugging into it makes
it easy to overdrive the preamp section, creating harmonic distortion. Guitars equipped
with low-output pickups seem hotter than usual when plugged into this input.
Low Gain input
This is a low-sensitivity input. Guitars plugged into it have more headroom before
distortion sets in (meaning that you can crank up a channel's volume a little louder
before you experience Preamp distortion). This is a good choice for a clean overall
sound, and is especially well-suited to active pickups or guitars equipped with Preamps.
Channel 1
Both channels are voiced differently, and Channel 1 is definitely geared toward creating
impressive and massive crunch and lead tones while retaining a vintage feel (think of as
a great "British" tone). Grit, grunge, dirt--whatever you're looking for in the distortion
department is here, from sweet and singing to hard-driving to maximum sustain. Note:
Like the controls on all classic amps, the Treble, Middle, and Bass interact, creating
smooth, musical tone changes. All three controls operate with even response
throughout their ranges. This amp has so much potential gain and sustain, you should
not assume that the Volume controls should be set on a typical "10" to start with. You
might try 3-5 as a starting point.
Volume (with channel-select Pull-Switch)
Although it's labeled "Volume," this control does a lot more than determine how loud
Channel 1 is. It regulates the Preamp's volume and works with the Master to set the
level and distortion amount. A simple rule of thumb is, the higher the Volume is set, the
more distortion you get. The push switch selects which channel is active. Its circuitry is
designed so that you don't hear a pop or click when the channel is changed (The FS-7
footswitch also selects channels; the Volume's pull switch can be activated with the FS-
7 plugged in or not, but to control the amp from the footswitch, keep the switch pushed
in. ). See info on the FS-7 and its functions.)
Bass
The "chunk" and support that form the backbone of your tone come from this control. Its
effect on your overall sound will be different at high and low volumes due to the
speaker's characteristics and how much distortion you use. The bass EQ curve has
been specially tailored to complement the maximum bass response of the RIVERA
Quiana and Fandango speaker enclosures. Also, the internal speakers of the Quiana
and Fandango Amplifiers have been voiced to complement the circuitry and cabinet
size.
(5 pages)
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